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    <lastmod>2020-12-15</lastmod>
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    <loc>https://anaisabeldow.com/filmmaking</loc>
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    <lastmod>2020-08-08</lastmod>
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      <image:title>Filmmaking - Under Construction.</image:title>
      <image:caption>I’m still working on this section. If you’d like to stay in the loop, give me your email below or follow me on IG! And if you’re interested in collaborating with me, hit me up!</image:caption>
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    <loc>https://anaisabeldow.com/press</loc>
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    <lastmod>2023-04-17</lastmod>
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      <image:title>Press - “Ms. Dow, who has the trickier role, is intentionally more grating, though she and Mr. Martinez achieve an enjoyable rapport.”</image:title>
      <image:caption>- Alexis Soloski, The New York Times “Nice, shaded work.” - David Cote, Time Out New York “Dow’s never-ending jitters are great fun to watch!” - David Finkle, The Huffington Post</image:caption>
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      <image:title>Press</image:title>
      <image:caption>“Whether playing crestfallen or exhilarated, frenetic with anxiety or exploding in fury, Dow manages at each moment to take the feeling precisely up to its edge — and stop there. ” - Michael Feingold, The Village Voice</image:caption>
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      <image:title>Press - “Dow and Martinez are terrific, his long, slow burn a foil to her staccato chatter and mixed-message body language.”</image:title>
      <image:caption>— Jeremy Gerard, Deadline “Both Ana Isabel Dow and Eddie Martinez give fine performances here....Their exchanges have a rapid-fire staccato reminiscent of Rosalind Russell and Cary Grant in “His Girl Friday.” - Jane Dentinger, New York Theatre Guide</image:caption>
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      <image:title>Press</image:title>
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      <image:title>Press - “Claudio (Joseph Midyett) and Hero (Ana Isabel Dow) earn their due praise in the second act.”</image:title>
      <image:caption>- Peter Freeman, DC Outlook</image:caption>
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      <image:title>Press - “Dow is quite funny!”</image:title>
      <image:caption>— Zachary Stewart, Theatemania</image:caption>
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